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Review: Rosie Kay goes to war with 5 Soldiers

BIRMINGHAM choreographer Rosie Kay’s new work 5 Soldiers The Body pulls no punches.

It is a hard-faced look at the people behind the lines whose training morphs them into one body and yet with each one an individual.

Kay’s message is clear – we begin on manoeuvres with the troops working as a homogeneous group, indistinguishable as they march around the stage.

But 80 minutes later we have seen these comrades-in-arms splinter, form alliances, re-group and face their own agonising loves and losses.

Kay’s choreography is strong in physicality with much of the dance replicating the fighting itself, blurring the edges of identity.

VERDICT: ***

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